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Organizational structures hide the phenomena on which they are built. For example, spoken language requires both a certain perception of fundamental elements (phonemes), and a state of transcendence that enables us to forget these very elements. Similarly, in the aural sphere, music is the negation of sound for the benefit of its organization. Nevertheless, a sound that is completely left to its autonomous state (as opposed to it being collected for its potential as a poetic tool) goes back to the hum of nature. Thus, in order for it to be aesthetically perceivable, sound needs music as much as music needs sound.

This dialectic tension is found at the heart of number based harmony, whose material, proportions of integers, corresponds to the exact measurement of the phenomenon. A balance becomes possible between music and sound, between order—necessary for complexity to emerge—and the infinite creative potential of chaos. — Simon Martin